Archive for September, 2008

51. KILL JIMMY

Jimmy and I have not spoken for several days. His Superman flick is really picking up steam. Penelope Cruz has signed on with the only condition being she and Starlett Johannson perform a pseudo-quasi-hardcore sex scene to be choreographed by their lawyers. Every time Jimmy walks by me in the apartment I feel like kicking him in the balls. Really, really hard.

Perhaps I am jealous. Yes, the thought has entered my mind. Hey, I’m happy for him. I once considered him my best friend. But, the question here–and I don’t think I’m out of line–is why the fuck should all this great stuff be happening to him?

But, mainly, I think it’s his attitude. He’s got this this look on his face now like he’s smarter than everyone else even though everyone else knows his brain is made of mouse turds and stale marshmallows.  Actually, he’s starting to look and smell like a Republican.

This morning he was sitting in my chair drinking out of my coffee cup when he finally broke the silence. “The limo’s downstairs. I’m leaving in 10 minutes.”

“Oh,” I said, not looking up. “That’s too bad.”

“I see you’re going to be a jerk all the way up to the last second.”

When I said nothing Jimmy drained my coffee cup and set it down. “Fine,” he stated. “Since I’m clearly a bigger man than you I’m going to swallow my pride, ignore your jealousy and turn you on to something before I split.” He flicked the newspaper at me.

“Read that,” he said, jabbing his finger at an article in the NY Times. It was one of 239 pieces that appeared this week lamenting the Sad and Sorry State of Independent Film.

“I read it already, ” I snapped.

“Yeah?” Jimmy returned, pushing the paper in my face. “Did you read this paragraph?”

 Jimmy’s proof

“I said I read it!” I said and shoved the paper back at him.

Jimmy’s laugh again struck me as eerily McCainish–dry and scaly like an old, blind cockroach running up a wall. “I don’t know why I bother,” he said. “But I guess deep down inside I still care.”

He leaned closer, tapping the paragraph with slow, steady importance. “Everyone wants to know what’s happened to Independent Film. Well, here it is spelled out in black and white; tattoos, bangs and a vintage dress.”

That made me sit up. “Wait a second. Real ones?”

Jimmy nodded. “Yeah, dude. Real tats.”

“No, I meant the bangs.”

“What about them?”

“They were real too?”

“Of course they were! See what I’m saying?! She wore bangs to the Oscars!”

Jimmy gazed back at the article, his smile broadening in clear admiration. ”It’s hip and Hollywood at the same time. That’s the secret. She’s got both games goin’. That’s how you win. You morph; you adapt.”

“Wow,” I murmured. ”You’re talking about something like Hollydent, or Indiewood?”

“Now you’re gettin’ it,” Jimmy grinned. “See that? It’s the attraction of opposites; the yin and yang. And look; she wore a vintage dress too.”

If I was getting it, it was only for a moment. “That’s where I’m a little confused,” I said. “It doesn’t say ‘vintage’ dress. It says ‘vintage-looking’ dress.”

Jimmy’s eyes quickly hardened. “What’s your point.”

“Well, some vintage-looking dresses cost a lot of money. Would that still qualify Ms. Diabldoll as hip and indie?”

Jimmy’s lip lifted in a tight sneer. “That’s your problem right there, man.”

“What?”

“Your sarcasm.”

“Hey, I’m serious. I saw a cool shirt in a vintage store in LA but it cost 450 bucks. I’d have to direct three Iron Mans to afford that kind of life style.”

Jimmy got up. “Yeah, but you never would, would you? You’re just just too damn stupid to play the game.”

I stood too. “That’s kind of a mean thing to say.”

“Stupid,” Jimmy repeated.

Things got a little crazy just then. Jimmy sort of accidentally knocked over my guitar and I sort of intentionally hit him in the teeth with my coffee cup. He fell to the floor. I helped him over to the couch, taking care to make sure his head was tilted so the blood dripped on his shirt instead of the cushions.

I sat down next to him. “You keep mentioning the word ‘game’, Jimmy. But,  where’s the joy in playing it? And what do you win?”

Jimmy didn’t answer. I guess it wasn’t fair to ask him questions since he wasn’t quite conscious yet. So I just kept talking.

“See, independent film used to be just that–independent. Outside the system. That’s where the joy was; making a film against all odds. Making a film that said ‘fuck you’ to all the restrictions of Hollywood. Making a film for no money because then you could make the film exactly the way you wanted.  That’s where the kick was. You were free. You weren’t governed by anything except your lunatic obsession to make a film.”

I peered closer at him. “Do you know what I mean, Jimmy?” I thought I saw his lip twitch which encouraged me to continue.

“That’s why Hollywood and Independent don’t go together. They don’t morph. If it’s really Hollywood, and it’s really Independent they cancel each other out. In fact they poison each other. It’s like Church and State; Britney and KFed–both are better off when they’re legally separated. Otherwise everything gets very confused and reviews start appearing about the “indie edginess” of action figure flicks that gross 200 million dollars. Independent once meant free from the money; free from the System. Now, it means fighting like meth-freaks to get into the System. It means doing whatever it takes to win the approval of the Suits, to make them happy, to make them Money. The real joy was in breaking all the rules, not playing by them.”

I smiled at Jimmy as memories came flooding back. “Remember when we first started? Remember that guy down in Alphabet City who sold raw film stock for nothing? It was damaged shit that studio films were throwing out but we bought it and every inch of film that ran through our camera was a fuckin’ victory for us.”

I nudged Jimmy’s leg, catching him when he started to fall over. “Hey, remember that girl who projected her first feature on the wall in that bar down on St. Marks Place? It was all shot on super 8 but it was a feature and we were in awe. Remember that, Jimmy?”

Jimmy stared at me, a flicker of some emotion struggling in his eyes. Just then the intercom buzzed. We both stood.

“That’s my driver,” Jimmy said finally. “I’m lettin’ him in. He used to work for Vin Diesel. He’s gonna come in here and kick your ass.”

I looked at Jimmy for a long moment and felt an immense heaviness weighing down on me. “Alright then,” I said. And I kicked Jimmy in the balls. As hard as I could. But, as he fell his finger found the intercom button.

A moment later my front door opened and Dr. Owen walked in. He stood staring at me with a strained, wary smile.

“Hello, Tom,” he said. “It’s been quite a while.”

“Yes, it has,” I said. ”It certainly has.”

I was glad to see him. It was a good opportunity to finally introduce him to Jimmy. But when I turned Jimmy was no longer lying on the floor behind me. All that remained was the faint shadow of a tattoo, some bangs and a vintage-looking dress.

50. HYPER KRITIKAL

I woke up this morning and discovered Jimmy still sprawled on my couch in his underwear.

“I thought you were going to LA,” I said, muting the TV.

“Next week,” Jimmy muttered, grabbing the remote from my hand.

“Your Superman gig still on?”

Jimmy punched the sound back on the pirated copy of Elegy he was watching. “Bigger than ever,” he murmured as a shuddering close-up of Penelope Cruz’ left breast filled the screen. “Pitt, Clooney and DiCaprio are reading.”

“For which parts?” I asked, incredulous.

“For whatever part I feel like giving them. I told you, bro; Hollywood–it’s the new Independent. You should check it out.”

His words cut deep. So deep I feared they were true. Which made me want to punch him.

“See, look at this flick,” he went on, crooking a lazy finger at the TV. “It’s Critic Proof.”

“Critic Proof?”

“Yeah. It’s got some arty shit, a pair of killer tits and just enough long, boring parts to make it seem like it was directed by a 13 year-old who just toked up. I’m gonna do the same thing with my Pregnant Superman flick.  I’m gonna show him naked and he’s gonna have boobs. Real ones. Big ones. See that? Most critics know Transexual equals Art.”

Another close-up of Penelope’s chest blossomed onto the screen. “Poor critics,” Jimmy sighed, doing something to his balls. For a moment I wondered if he still had the frog glued to them. ”I feel for ‘em. They’re havin’ a tough time right now.”

“A lot of people are.”

Jimmy sat up. “See, it’s that kind of attitude that really bugs me.”

“Why?” I asked, genuinely curious.

“Cuz you don’t get it. Critics are in serious trouble. You go online and you see 50 million people writing reviews. ‘This film sucked. Licked the chick with the voleyball tho. Click hear to read more of my rivews’. mrSalty Butterpopt.”

“Isn’t everyone entitled to their opinion?”

Jimmy’s eyes flicked over me in blatant disdain. “No, they’re not. Some opinions are better than others. What’s the first thing you look at when a movie opens? The blurbs. The bigger the critic the more power the blurb has. You can tell right away when a movie’s gonna tank because all the blurbs are from no-name dipshits like The Wasilla Herald.”

“I still don’t get it,” I confessed.

“There’s too many critics, man! C’mon, open your eyes. It used to be fewer critics with more clout. And now even the heavy hitters have to review Batman just to keep their jobs. I mean how many times can you say, New Crusader tepid but dark, dead Ledger saves the day?

Jimmy punched the TV off and stared broodingly at the remote in his hand. “This tide of illegal Nobody’s is fuckin’ the whole thing up. And if we lose critics then the whole game comes tumbling down.”

“Why?”

Jimmy threw the remote at me. “Are you even in the business?! Critics are part of the System. They help people figure out what movies to go see.”

“People can’t figure that out on their own?”

“No, you fuckin’ idiot. Most films suck and I’m happy to have someone point that out to me. Besides, every 10-year old with a digicam knows the reviews feed the audience which feed the Numbers which feed the Box Office which feed the Nominations.”

I contemplated this for a long moment in silence as Jimmy continued.

“We should start a Save The Critics campaign,” he stated. “They’re way more important than whales. And everybody dumps on them. As if they don’t have feelings. You know what Godard said about critics? He said, “Critics are like soldiers who fire on their own troops.”

“What did he mean?”

“Who gives a shit?! It’s a nasty fuckin’ thing to say; Critics are like soldiers who fire on their own troops.”

“Here’s one I heard: Crickets have shoulders and eat their own poop.”

Jimmy stared at me in a long, cold silence. “You’ve lost it, man,” he said finally.

“Define it.”

“You no longer have the ability to perceive reality in a way that enables you to function.”

“What should I do, Jimmy?”

“I don’t know. But you better watch it. Critics are just as sensitive as you and me. Now I’ll have to be careful with you.”

“Why?”

“Cuz you’re probably writing all this stuff down.”

“What makes you think I’d do that?”

“Cuz I’m reading it on your blog right now.”

“Oh.” I stared at him. “Then you won’t be too surprised if I do this.”

And I Critic Proofed him.



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